am a teur ( m -tûr , -t r, -ch r , -ch r, -ty r )
n.
1. A person who engages in an art, science, study, or athletic activity as a pastime rather than as a profession.
2. Sports. An athlete who has never accepted money, or who accepts money under restrictions specified by a regulatory body, for participating in a competition.
3. One lacking the skill of a professional, as in an art.
adj.
1. Of or performed by an amateur.
2. Made up of amateurs: an amateur cast.
3. Not professional; unskillful.
pro fes sion al (pr -f sh -n l)
adj.
1.
a. Of, relating to, engaged in, or suitable for a profession: lawyers, doctors, and other professional people.
b. Conforming to the standards of a profession: professional behavior.
2. Engaging in a given activity as a source of livelihood or as a career: a professional writer.
3. Performed by persons receiving pay: professional football.
4. Having or showing great skill; expert: a professional repair job.
n.
1. A person following a profession, especially a learned profession.
2. One who earns a living in a given or implied occupation: hired a professional to decorate the house.
3. A skilled practitioner; an expert.
Source: The American Heritage® Dictionary of the English Language, Fourth Edition
Copyright © 2000 by Houghton Mifflin Company.
Published by Houghton Mifflin Company. All rights reserved.
1. I consider The Amateur Marriage a provocative book. Starting with the title of the book - why do you think Anne Tyler chose this title? When do you think a marriage would be deemed "professional" (using professional as the opposite of amateur)? Do you think that others would consider the Anton marriage amateur? How do reality and illusion play into the title?
2. Reflecting on his marriage, Michael imagines that "all those young marrieds of the war years" have grown "wise and seasoned and comfortable in their roles, until only he and Pauline remained, as inexperienced as ever-the last couple left in the amateurs' parade" (p. 168). He felt they were "more like brother and sister than husband and wife. This constant elbowing and competing, jockeying for position, glorying in I-told-you-so" (p. 168). How common are the problems that Michael and Pauline experience in their relationship? Is Michael correct in thinking that he and Pauline are unusual in their long-standing "amateur marriage"?
3. In its early chapters, The Amateur Marriage gives readers a view of life in an ethnic working-class neighborhood in Baltimore. Later, the setting shifts to a newly built suburb, where the family gradually moves into the middle class. What are the effects of this shift on the family? How does Anton's experience reflect a change in American family life in the postwar decades?
4. Michael thinks of Pauline as "a frantic, impossible woman, so unstable, even in good moods, with her exultant voice and glittery eyes, her dangerous excitement" (p. 167). Meanwhile Pauline "chafed daily at . . . his rigidity, his caution, his literal-mindedness . . . his reluctance to spend money, his suspicion of anything unfamiliar, his tendency to pass judgment . . . [and] his magical ability to make her seem hysterical" (p. 75). Does this seem unrealistic? Can you identify with this feeling - and does it cause empathy toward either character? What does folklore say of a marriage between two people who are the same? Different?
5. As he posed in the photography studio for a fifteenth-anniversary portrait with Pauline, Michael remembers thinking, "Who was this woman? What did she have to do with him? How could they be expected to share a house, rear children together, combine their separate lives for all time? The knob of her shoulder pressing into his armpit had felt like an inanimate object" (p. 137). The photograph shows "Mr. and Mrs. Perfectly Fine. . . . An advertisement for marriage" (p. 137). Do feelings like this necessarily portend the end of a marriage? What could other outcomes have been? Do you think that path that Michael chose was correct and in character?
6. How are George and Karen affected in their development by the disappearance of Lindy and by their parents' troubled marriage? Does Tyler suggest that children become themselves in spite of, or in reaction to, family stresses?
7. Anne Tyler has said, "My fondest hope for any of my novels is that readers will feel, after finishing it, that for a while they have actually stepped inside another person's life and come to feel related to that person."* Does The Amateur Marriage achieve this goal?
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